https://streamsofbeing.artinterp.org/omeka/files/original/503bde057def9f10578da08d9ed3499a.jpg e9524b9c3acb74a68f917376cd6fb42f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pen, ink, and wash on paper Physical Dimensions The actual physical size of the original image 14 x 20 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Marcelo Grassman Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource ANIMALIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brazil Description An account of the resource <p>The nightmarish qualities of Grassmann's <em>Untitled</em> draw upon rich, visual sources from nineteenth-century Symbolism to Surrealism. Prints by artists such as Arnold Böcklin (1827-1901) and Alfred Kubin (1877-1959), for example, fused Romantic concerns with the conviction that evolution—as elaborated by Charles Darwin (1809-82)—would produce monstrosities as well as genetic progress. War and environmental destruction in the early twentieth century further transformed the way that artists perceived and depicted the relationship between human and animal worlds. Works like Grassmann's view the ontological intensification of these interactions between man and beast as a process both fantastical and terrifying.</p> 1950s Drawing South America