https://streamsofbeing.artinterp.org/omeka/files/original/30fa3d02ac38a9c021d8e9ad5c1e8bea.JPG 8cc36a93a2f09be8dd703cee42325f2f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor Physical Dimensions The actual physical size of the original image 18 x 24 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Filemón Santiago Avendaño Date A point or period of time associated with an event in the lifecycle of the resource c. 1979 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource ANIMALIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Description An account of the resource <p>Like many artists of Mexico’s Oaxacan School, Santiago Avendaño has explored the metaphorical and aesthetic possibilities of the animal form. In <em>Untitled</em>, a plethora of dogs, birds, rabbits, goats, and other, more visually ambiguous species are scattered about the picture plane.  Their placement offers no unified narrative of the animal or its role in either human or ecological society. The work's anonymous multiplicity of forms suggests violence—animals seize and collide with each other—but also the redemptive possibilities of symbiosis, hinted at in the mouths that appear to kiss, joining their bodies in transformation.</p> 1970s North America Painting Watercolor