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The nightmarish qualities of Grassmann's Untitled draw upon rich, visual sources from nineteenth-century Symbolism to Surrealism. Prints by artists such as Arnold Böcklin (1827-1901) and Alfred Kubin (1877-1959), for example, fused Romantic concerns…

Like many artists of Mexico’s Oaxacan School, Santiago Avendaño has explored the metaphorical and aesthetic possibilities of the animal form. In Untitled, a plethora of dogs, birds, rabbits, goats, and other, more visually ambiguous species are…