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(Horse) evinces Carballo’s interest in depicting the masses and striations of muscle in both human and animal bodies, its slabs of living flesh at once formless and painfully strained. The isolation of the horse’s head from its body—no less, its…

Like many artists of Mexico’s Oaxacan School, Santiago Avendaño has explored the metaphorical and aesthetic possibilities of the animal form. In Untitled, a plethora of dogs, birds, rabbits, goats, and other, more visually ambiguous species are…