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(Horse) evinces Carballo’s interest in depicting the masses and striations of muscle in both human and animal bodies, its slabs of living flesh at once formless and painfully strained. The isolation of the horse’s head from its body—no less, its…

"…I became interested in the superposition of the image, the representation of something over the thing itself, shadow on shadow, wrinkle on wrinkle."                                                                                             …