6 10 111 https://streamsofbeing.artinterp.org/omeka/files/original/24309add4acad7e39153ed4e55584272.JPG 998343ad682477fa3b785c26964bbcad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photograph Physical Dimensions The actual physical size of the original image 14 1/4 x 18 1/4 in. (image) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cementerio Dominicano Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Domingo Batista Date A point or period of time associated with an event in the lifecycle of the resource c. 1988 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource GEOGRAPHIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Dominican Republic 1980s Caribbean Photograph https://streamsofbeing.artinterp.org/omeka/files/original/8d79641942db7b0dfd090e4b57408126.jpg c0bee60e894e5f80d6363b9d12b68f49 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 56 3/4 x 70 3/4 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seis Formas en Dos Circunferencias Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Eduardo Mac Entyre Date A point or period of time associated with an event in the lifecycle of the resource 1966 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource COSMIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Argentina 1960s Painting South America https://streamsofbeing.artinterp.org/omeka/files/original/a99b5b4efdcc0c2dea99aa498e3b7f9c.JPG 6fe811d0c700bd02a5d979c58ef0f5be Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data enamel on canvas Physical Dimensions The actual physical size of the original image 45 x 57.5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tempo Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Ernesto Deira Date A point or period of time associated with an event in the lifecycle of the resource 1964 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource SOMATIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Argentina 1960s Enamel Painting South America https://streamsofbeing.artinterp.org/omeka/files/original/30fa3d02ac38a9c021d8e9ad5c1e8bea.JPG 8cc36a93a2f09be8dd703cee42325f2f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data watercolor Physical Dimensions The actual physical size of the original image 18 x 24 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Filemón Santiago Avendaño Date A point or period of time associated with an event in the lifecycle of the resource c. 1979 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource ANIMALIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Description An account of the resource Like many artists of Mexico’s Oaxacan School, Santiago Avendaño has explored the metaphorical and aesthetic possibilities of the animal form. In Untitled, a plethora of dogs, birds, rabbits, goats, and other, more visually ambiguous species are scattered about the picture plane. Their placement offers no unified narrative of the animal or its role in either human or ecological society. The work's anonymous multiplicity of forms suggests violence—animals seize and collide with each other—but also the redemptive possibilities of symbiosis, hinted at in the mouths that appear to kiss, joining their bodies in transformation. 1970s North America Painting Watercolor https://streamsofbeing.artinterp.org/omeka/files/original/8b207c30baba31cdea52a210ac4aac4c.JPG 57e03a7be1ef45a3bfdc30871cde055f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photograph Physical Dimensions The actual physical size of the original image 19 1/2 x 15 1/2 in. (image) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rumbos III Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Frieda Medin Ojeda Date A point or period of time associated with an event in the lifecycle of the resource 1984 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource SOMATIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Puerto Rico 1980s Caribbean Photograph https://streamsofbeing.artinterp.org/omeka/files/original/bc71bb35f50a5237e91aedeb9cf57dbb.JPG 4b01d25cef4e793beedb5cf2e02f1aea Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pen and ink on paper Physical Dimensions The actual physical size of the original image 25 x 18 1/2 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fruit and Cord Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Gesner Armand Date A point or period of time associated with an event in the lifecycle of the resource 1974 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource GEOGRAPHIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Haiti 1970s Caribbean Drawing Ink https://streamsofbeing.artinterp.org/omeka/files/original/632563172aa35fd9648c745a08d4187c.JPG aa9473a41746361155e3d95e26c1e5cd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data etching Physical Dimensions The actual physical size of the original image 17 x 25 in. (image) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Barcelona Series) Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource José Luis Cuevas Date A point or period of time associated with an event in the lifecycle of the resource 1981 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource SOMATIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico 1980s Etching North America Print https://streamsofbeing.artinterp.org/omeka/files/original/aec23800b460b1d103195f46ec826e58.jpg f1ef36aa5b9f5137b2d8e415ba132dc8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil and ink on paper Physical Dimensions The actual physical size of the original image 24 x 33 7/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Manabu Mabe Date A point or period of time associated with an event in the lifecycle of the resource 1979 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource COSMIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brazil 1970s Ink Painting South America https://streamsofbeing.artinterp.org/omeka/files/original/48cacaf8dbb558acabb3ad1f76c7b575.jpg 66fd4970ed01c44476f847e6a9f9220e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data lithograph Physical Dimensions The actual physical size of the original image 18 x 25 in. (sheet) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Birds' Head Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Marcelo Grassman Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource ANIMALIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brazil Description An account of the resource The hybrid possibilities of man-as-animal and man-becoming-animal emerged out of historical Expressionism and Surrealism, with roots drawn partly from the horrors of the First World War. The echoes and permutations of these “monsters” appear in works by Grassmann, filtered through a complex network of narratives both dreamlike and grotesque. The visual emphasis on the birds’ heads and beaks recalls early—and decidedly fantastical—illustrations of Brazil's native animals, such as those made by the Franciscan André Thévet in his sixteenth-century text, Singularities of France Antarctique. 1950s Lithograph Print South America https://streamsofbeing.artinterp.org/omeka/files/original/503bde057def9f10578da08d9ed3499a.jpg e9524b9c3acb74a68f917376cd6fb42f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data pen, ink, and wash on paper Physical Dimensions The actual physical size of the original image 14 x 20 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Subject The topic of the resource Arts, Latin American--20th century Creator An entity primarily responsible for making the resource Marcelo Grassman Date A point or period of time associated with an event in the lifecycle of the resource 1957 Rights Information about rights held in and over the resource 2013. AMA | Art Museum of the Americas, Organization of American States (OAS). All rights reserved. Relation A related resource ANIMALIC Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brazil Description An account of the resource The nightmarish qualities of Grassmann's Untitled draw upon rich, visual sources from nineteenth-century Symbolism to Surrealism. Prints by artists such as Arnold Böcklin (1827-1901) and Alfred Kubin (1877-1959), for example, fused Romantic concerns with the conviction that evolution—as elaborated by Charles Darwin (1809-82)—would produce monstrosities as well as genetic progress. War and environmental destruction in the early twentieth century further transformed the way that artists perceived and depicted the relationship between human and animal worlds. Works like Grassmann's view the ontological intensification of these interactions between man and beast as a process both fantastical and terrifying. 1950s Drawing South America